Sabina Holzer / Mariella Greil / Nikolaus Gansterer:

GRUNDEINKOMMENSTANZ

Einladung zum Workshop/Treffen

Termine: 1. Februar, 17. Februar, 8. März

Ort: brutstätte, Zieglergasse 25, 1070 Wien

Am 17. und 18. März 2014 um 17:30 Uhr laden die KünstlerInnen Sabina Holzer / Mariella Greil / Nikolaus Gansterer, im Rahmen von imagetanz 2014 Festival für Choreographie, Performance und Care zum Grundeinkommenstanz auf der Favoritenstraße (Treffpunkt Reumannplatz) ein.

Der Grundeinkommenstanz befasst sich mit der ressourcenorientierten, nachhaltigen Umverteilung und kann von jeder/m ausgeführt werden, die/der ein paar Gesten, Gedanken oder Gespräche dieser Auseinandersetzung widmen möchte. Er ist in Solidarität mit allen, die an der Entwicklung von Entwürfen der Ressourcen(um)verteilung mitwirken. Weniger als Demo dafür mehr als eigentümlich-festliche Versammlung konzipiert, präsentiert sich dieses solidarische Tanzgelage als Plädoyer für Freiräume, Zwischenmenschlichkeit und neue Wertzuschreibungen.

Im Vorfeld gestalten wir dafür 3 Workshops / Treffen, in denen wir uns mit Visionen und Fragen zum bedingungslosen Grundeinkommen beschäftigen und mit unseren Denkbewegungen utopische Karten skizzieren. Dabei wollen wir unsere Körper als Ressource, die uns ständig bedingt, einbeziehen. So können Alltäglichkeiten zu Besonderheiten und einfache Handlungen zu differenzierten Abläufen werden. Tanz ist hier eine sinn- und lustvolle, zugleich aber durchaus eine kritische Praxis, die sich gegen Profitmaximierung, Effizienz und Ausbeutung richtet.

Die in den Workshops entstandene Partitur zum Grundeinkommenstanz wird im Zuge der partizipatorischen Performance bei imagetanz 2014 im öffentlichen Raum, mit breiterem Publikum gemeinsam aufgeführt.
Alle, die sich für kreative Ausdrucksformen zu sozialpolitischen Themen interessieren und Lust am gemeinsamen Denken und Bewegen haben sind herzlich eingeladen! Vorkenntnisse sind nicht notwendig!

Alle Workshops sind kostenlose, in sich abgeschlossene Auseinandersetzungen und können auch einzeln besucht werden.

Wann: Samstag, 1.2. / 14:00 - 17:00 Uhr
Montag, 17.2. / 10:00 - 13:00 Uhr
Samstag, 8.3. / 14:00 - 17:00 Uhr
Wo: brutstätte, Zieglergasse 25, 1070 Wien
Anmeldung und weitere Infos unter: cattravels[at]silverserver.at

Der Grundeinkommenstanz entsteht in Zusammenarbeit mit dem Netzwerk Grundeinkommen, Armutskonferenz, der Wiener Tafel und Attac.

Der Grundeinkommenstanz ist eine Koproduktion von cattravelsnotalone und imagetanz.
Mit Unterstützung der Kulturabteilung der Stadt Wien.

http://www.cattravelsnotalone.at/GET.html

"CHOREO–GRAPHIC FIGURES. DEVIATIONS FROM THE LINE"

1 January 2014 – 31 December 2016

The interdisciplinary research project “CHOREO–GRAPHIC FIGURES. Deviations from the Line”, led by artist Nikolaus Gansterer (Austria/Vienna) in collaboration with choreographer-dancer Mariella Greil (Austria/Vienna) and artist-writer Emma Cocker (UK/Nottingham), in dialogue with a team of international critical interlocutors was approved funded by the FWF PEEK research grant of Austria. With ‘arts-based research’ at its heart, this research project stages an inter-subjective encounter between drawing (Gansterer), choreography (Greil) and writing (Cocker) in order to a) investigate those forms of ‘thinking-feeling-knowing’ produced through collaborative, interdisciplinary exchange, ‘between the lines’ of drawing, dance and writing, b) explore the performativity of notation (figures of thought, speech and movement) for articulating and making tangible this enquiry, c) contribute new knowledge and understanding to debates about the specificity of artistic enquiry and expanded practices of drawing, dance and writing.The project explores the nature of ‘thinking-in-action’ or ‘figures of thought’ produced as the practices of drawing, choreography and writing enter into dialogue, overlap and collide. Through processes of reciprocal exchange, dialogue and negotiation between the key researchers, "CHOREO–GRAPHIC FIGURES. Deviations from the Line" will interrogate the interstitial processes, practices and knowledge(s) produced in the ‘deviation’ for example, from page to performance, from word to mark, from line to action, from modes of flat image making towards transformational embodied encounters.

+++
Research-Residence / MARIELLA GREIL im Tanzquartier Wien

MO 9. DEZ. – FR 20. DEZ.

Als Teil der Recherche zur Beziehung zwischen Ökonomie und Körper arbeitet Mariella Greil an unnatural participation. In Kollaboration mit dem Sound Artist Werner Moebius wird eine rohe Selektion von Interview-Transkriptionen mit männlichen Sexarbeitern untersucht. Das Potential des Choreographischen wird verortet zwischen Ver- und Enthüllung.

As part of her research on the relation between economy and body Mariella Greil develops unnatural participation. In collaboration with the Sound Artist Werner Moebius she will investigate a raw selection of interviews with male sex workers. The potential of the choreographic is conceptualised as residing between concealing and baring.

DO 2. JAN.- DO 9. JAN 2014

Mit Lisa Hinterreithner wird das Researchprojekt local horizon - collapsed form fortgesetzt. Hier wird das Konzept eines privilegierten Subjekts sukzessive über Board geworfen und spekulative Bewegungen durch einen sich ausdehnende Horizont getestet.

With Lisa Hinterreithner she continues the artistic research project local horizon – collapsed form framed beyond an insistence on identity, territory or a privileged subject.

Details OPEN MOMENT am 9.1. um 18:00 im Tanzquartier Wien / Studios

nadaLokal presents:
M I X E D M A T T E R S

with Lisa Hinterreithner (AT), Mariella Greil (AT),
Nicolás Spencer (CL), Alexandra Mabes (CL),
Christian Müller (CH) and Pascual Pakarati (Rapa Nui)

01. 12. 2013, 18h
nadaLokal, Reindorfgasse 8, 1150 Vienna

local horizon - collapsed form:
Extracts from the creative research project by
Lisa Hinterreithner and Mariella Greil

TRema:
Sound & Cathode ray tube by Nicolás Spencer (CL)
http://nicolasspencer.cl/instalations/Trema.html

Inicio (Is just the beginning)
Dance-Solo by Alexandra Mabes (CL)

Sound-Improvisation:
Electronics / Bass Clarinet by Christian Müller (CH)
www.christianmueller.me

LSD-3: Let‘s Share Dances: the new format of
nadaLokal continues! „Haka Matara“ („Get ready for war“),
guided by Pascual Pakarati (Rapa Nui)

local horizon – collapsed form

Unter dem Titel local horizon – collapsed form haben die beiden Performerinnen Lisa Hinterreithner und Mariella Greil ein performativ-diskursives Format entwickelt. tanzbuero lädt am Mittwoch, 13. November ins SEAD, Schallmooser Hauptstraße 48a, zu einer öffentlichen Begegnung. Beginn ist um 19:30 Uhr, der Eintritt ist frei, in englischer Sprache.
Um Anmeldung wird gebeten unter: office@tanzbuero.net

local horizon – collapsed form ist ein künstlerisches Forschungsprojekt, das sich jenseits identitärer Hochhaltung, territorialer Grenzen und einem privilegierten Subjekt formuliert. Statt dessen wird ein zukunftsorientiertes, spekulatives Konzept erprobt. In 13 Gedankenlinien evozieren die beiden Künstlerinnen Resonanzen des Prozesses. Sie bauen Situationen, die Umdenken, Bewegung und Veränderung thematisieren auf welche Sandra Chatterjee mit einem Fragenkatalog reagiert.
Wir driften auf einen sich immer mehr ausdehnenden Horizont zu...

Weitere Termine: local horizon – collapsed form

1. Dezember 2013 nadaLokal, Wien nadaLokal.at

18. Jänner 2014 Chelsea Theater London, thechelseatheater.com

Mit Unterstützung von Stadt und Land Salzburg. Eine Kooperation mit SEAD.
Dank an Dr. Nicole Haitzinger.

tanzbuero.net
facebook.com/tanzbuero
lisahinterreithner.at
mariellagreil.net

WIEN MODERN: IM GESPRÄCH SPEZIAL

Donnerstag, 07. November 2013, 18:00 Uhr

Wiener Konzerthaus | Schönberg-Saal

http://www.wienmodern.at

INTERPRETEN
Arturo Fuentes Akteur
Johanna Doderer Akteur
Patrick Pulsinger Akteur
Reingard Witzmann Vortrag
Mariella Greil Vortrag
Gina Mattiello Spielleitung
Karin Lemberger Tanzunterricht
Eddy Franzen Tanzunterricht
Wolfgang Seierl Konzept
Doris Weberberger Konzept

PROGRAMM Tanzstunde

Eine Kooperation von WIEN MODERN und dem mica – music austria.

WIEN MODERN Transfer - Schwerpunkt Tanz

Polarität von Ernst und Unterhaltung: Mittels performativer, künstlerischer und diskursiver Interaktionen wird den Beziehungen zwischen Tanz und Sozialverhalten beziehungsweise Tanz und Musik nachgegangen. Den Rahmen bildet eine Tanzstunde, in welcher unterschiedliche Statements und Aktionen von KomponistInnen, ChoreografInnen, TheoretikerInnen, TanzlehrerInnen und TänzerInnen die Teilnehmenden dazu einladen, mehr und mehr selbst Stellung zu beziehen und sich aktiv einzubringen. Anstelle des traditionellen Frontalvortrags treten interaktive Prozesse.

DAS FANTASTISCHE DRITTE / 3. Salon

Fr 28. Juni 2013, 19:00 (!) - 3. Salon
wolv, Ottakringerstrasse 20 / 4, 1170 Wien
http://www.wolv-radio.net/
Eintritt frei! Um Anmeldung wird gebeten: imflieger@gmail.com

DAS FANTASTISCHE DRITTE widmet sich in einer Reihe von Salons unkonventionellen Partituren als Niederschrift, Dokumentation, Erinnerung und Arbeitstool und untersucht sie auf Übersetzungen in zeitgenössischen Tanz/Performance und angrenzenden Kunstfeldern.

Wir wollen diesmal den verschiedenen (performativen, auditiven, gedanklichen, kulinarischen) Gaben Raum geben.Wenn Du etwas hast, dass Du gerne mitbringen möchtest, bring es mit. Wir freuen uns.

special share: Jorge Sánchez-Chiong
special gifts by: Mariella Greil (Tänzerin, Choreografin), Lisa Hinterreithner (Choreografin, Performerin), Jack Hauser (bildender Künstler), Sabina Holzer (Performerin), tomate (Musiker, DJ), Brigitte Wilfing (Performerin, Choreografin) Veronika Zott (Tänzerin, Choreografin) u.a.

Wenn Du einfach (wieder) vorbeischauen willst, freuen wir uns auch sehr.
Bitte, wenn möglich, anmelden. Wenn nicht möglich, trotzdem kommen.

DAS FANTASTISCHE DRITTE ist eine Erkundung von Kooperation als Komposition, als Kunst des Zuhörens, der Entwurf von Performance-Partituren als Spiel und Forschung wird zum Beispiel von selbstgebrannten Liquids und imaginären Figuren begleitet.

Die Salons folgen einer musikalischen Mehrstimmigkeit, in der sich Unterschiede miteinander verweben, wie in einem vielseitigen Gespräch. Fragen sind „Was wäre eine zeitgenössische Partitur? Was soll durch deine Partitur wirksam werden? Welche Welt willst Du mit einer Partitur erzeugen?“

Prozess und Produkt wollen sich hier als mögliche „soziale Partituren” überlappen.
(Performative) Gaben wird es geben, kann jede/r mitbringen und sind sehr willkommen.



Wir freuen uns, dass der 3. Salon in Zusammenarbeit mit Veronika Zott & Tomate Van Monte bei wolv stattfindet,
und bedanken uns für Ihre Unterstützung! www.wolv-radio.com


Dokumentation 1. Salon + 2. Salon http://www.imflieger.net/deutsch/work/DASFANTASTISCHEDRITTE/
Fr 26. April 2013 // 20:00 – 1. Salon // Wohnung Wilfing/ Sanchez-Chiong, Spengergasse 43/1, 1050 Wien // Special guests: Christoph Herndler (Komponist), Lilo Nein (Künstlerin)

Fr 17. Mai 2013, 20:00 - 2. Salon // Wohnung Miryam van Doren, Bürgerspitalgasse 13/17, 1060 Wien // Special guests: Karlheinz Essl (Komponist), Paul Wenninger (freischaffender Tänzer, Autor choreografischer Werke, Künstler)

Von und mit Sabina Holzer, Brigitte Wilfing, Jack Hauser, Jorge Sánchez-Chiong + Gästen
3. Salon in Zusammenarbeit mit wolv / tomate & Veronika Zott

Produktion: Im_flieger

DAS FANTASTISCHE DRITTE findet im Rahmen des Im_flieger Formats IN_FORSCHUNG statt.

Im__flieger wird unterstützt vom Kulturamt der Stadt Wien/MA7, BMUKK und weiteren projektabhängigen PartnerInnen.

Postconsensual collaboration. A shared lecture on plurality and the choreographic

When? - 18th May, 2013

Where? - London, Middlesex University, Hendon, London

What? - SYMPOSIUM On Collaboration II

The Theatre Arts Department, School of Media & Performing Arts at Middlesex University, with support from the Dance Department at University Campus Suffolk, will be hosting the second symposium on collaboration in performance practice, with a specific focus on the politics of collaboration. The event will take place on Saturday, 18 May 2013 at Middlesex University, Hendon Campus, North London.

SCHEDULE: http://mdxoncollaboration.blogspot.co.uk/p/schedule.html

KEYNOTES:

Simon Murray. "Lightness of touch: politics and embodiment in collaboration"

Rosemary Butcher and Susan Melrose. A dialogue. "Just in time: collaborativememory work and judgement in dance-making practices"

The symposium features a range of research papers and practice interventions, and includes performance installations by Angela Woodhouse and Henrietta Hale, as well as Jane Bacon and Vida Midgelow. Gerard Bell and Karen Christopher will be performing their work So Below (Haranczak/Navarre Performance Projects) to conclude the event.

Martina and I will present a collaborative lecture,departing from Florian Schneider’s statement, that we have to establish a new understanding of the term 'together' when we talk about contemporary dynamics of working together. We will probe the meaning of togetherness in the form of a collaborative lecture and discuss Jean-Luc Nancy ́s proposal of a community without common mission and its potential for artistic modes of working together. Which kind of “We” emerges if people collaborate without subordinating themselves to a common identity? What is happening if they do not merely become representatives of what they have in common?

Collaboration undecides regimes of identity, production and representation. It does not only inevitably call the authorship of a work into question but moreover challenges the methods of work. This is why uncommon ways of collaboration are so attractive for a broad field of production, that is interested in innovation and experimentation. Our lecture aims at giving insights into specific collaborative methods that were developed in the frame of choreographic projects – such as the method of reformulation (of the Artistwin deufert + plischke) or the experiment of working together alone of the Cooperativa performativa in Rumania. We will touch upon Gesa Ziemer ́s concept of complicity and the issue of self-organisation and put our thoughts in relation to our own artistic practices and collaborative experiences as members of two distinct collaborative platforms: “Sweet and tender collaborations” and “Kollaborateure”. Mariella Greil and Martina Ruhsam work together in difference. Our contribution intends to stretch beyond a dialogue, and yet we are not a group though. Our temporary “we” is constructed exclusively around the shared effort (attempting the realistically impossible) to respond to the 10 questions on collaboration that we had articulated in our previous contribution to the symposium On Collaboration I.
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or ever young
Première

Thursday April 04, 2013 8pm
April 05 and April 06, 2013 8pm

WUK Werkstätten- und Kulturhaus, WUK Saal
Währinger Straße 59, A-1090 Vienna
+43 1 40 121-70 tickets@wuk.at www.wuk.at

When did you first realise that your possibilities were finite? Was this a revelation or did it slowly creep upon you? Then later on, when the fashion trends of your teenage years reappear, you become your own point of reference and then you know that you are no longer young.

Considering the absurd “New-” and the constant “Upcoming” of our society with a simultaneous demographic shift towards retirement age, Doris Stelzer in her new work, takes a look at the time in-between. In search of the moment of "being no longer young" (albeit far from being old) and how people deal with that in their own ways, she holds talks, asks questions and listens. Driven by curiosity, she collects opinions, moods, and personal experiences; she examines clichés and searches for the so-called serenity.

or ever young explores an experiential realm that juxtaposes the real dancer body with the personally perceived experience and through this process questions the societal body image of growing old.

Concept, Choreography Doris Stelzer
Performance, Choreography Ondřej Vidlár
Installation Stephanie Rauch
Sounddesign, Implementation Mariella Greil, Werner Möbius
Lightdesign Thomas Barcal, Martin Schwab
Dramatugical Counsel Astrid Peterle
Production Doris Stelzer / dis.danse
Photo © Bettina Frenzel
Thanks to Tanzquartier Wien Residency, ttp WUK and dialogue partners
Cooperation WUK Theater/Tanz
Support Cultural Section of the City of Vienna and the Art


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ACTIVATE / release of volume 2, issue 1 & special issue: performing relations

The new spring/summer issue of activate (Vol.2, Issue 1) including the special issue: performing relations is here!

Please check: www.thisisactivate.net

The release is happening in the very night when spring turns into summer! We hope you enjoy reading!

(Mariella Greil - Managing Editor activate)

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Trashing Performance 

Shows! Cabaret! Talks! Films! Events!

How to do things with waste?
 A Salon of Refuse at the Trashing Performance Public Programme
Associate Researchers kick-start the Trashing Performance Public Programme, 2-6pm on Tuesday 25 October 2011, by sharing their ‘wasted works’ at Toynbee Studios, Court room.

My contribution is
golden
- a decomposition of performance & lecture in 3 acts of silence, dance and being wasted. This silent memorial to treasured trash will be gilding the value of gold.

I will bring a traditional, folkloristic hood with a queer complexion and dance with it. Then I ditch the old german saying "silence is golden" with the help of John Cage's Lecture on Nothing (1950) and dye my tongue in gold. Finally I invite you to drink with me from the Goldwasser!
p.s.: First aid kit is at hand.

Book your tickets for Trashing Performance, a six-day programme at Toynbee Studios, Bethnal Green Working Men’s Club and Tate Modern of shows, talks and screenings with irreverent artists and thinkers working at the edges of taste and respectability.

Full programme and booking details: 
http://www.thisisperformancematters.co.uk/

Performance Matters is a creative research project exploring the contemporary values associated with performance at a time when it has increased resonance as a cultural phenomenon, and as a concept and metaphor in critical discourse.
A collaboration between Goldsmiths, University of London, University of Roehampton, and the Live Art Development Agency. Performance Matters is funded by the Arts & Humanities Research Council.

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And more performances of GENDER JUNGLE – wo/man -- Doris Stelzer (AT):

Künstlerhaus Mousonturm Frankfurt
7. 8. und 9.April 2011, 21h
www.mousonturm.de

Stary Browar / 27.September 2010 / Poznań, PL
http://starybrowar5050.com/

Ciało/Umysł /25.September 2010 / Warschau, PL
9. International Contemporary Dance Festival
www.cialoumysl.pl

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SUNDAY 16th of MAY 2010 / 13:30

AEROWAVES / SOMETHING HAPPENING / THE PLACE / LONDON / UK

GENDER JUNGLE – wo/man -- Doris Stelzer (AT)

When is a body female? Is there a male movement? In her finely
chiselled choreographic investigation Doris Stelzer explores the field
of body presentation and body staging. She tracks down the supposedly
female and male in the play with body poses and changing movement. The
choreographer precisely analyses the media and physical (body)
metamorphoses and in the process not only expose projection areas,
patterns of perception and body politics, but in her search for an
"unoccupied" body also offers a humorous view of our own preferences
and aversions.

Concept, choreography: Doris Stelzer
Performance, choreography: Lieve De Pourcq, Ondrej Vidlár, Gabriel Schenker
Sound concept, Live-electronics: Mariella Greil, Werner Moebius
Theoretical input: Astrid Peterle
Production contributors: Stefanie Fischer, Nora Dorogan
Media: SKYunlimited
Production: dis.danse.
Co-production: Jardin d`Europe mit Unterstützung der Europäischen
Kommission – GD Bildung und Kultur.
With the support of: Kulturabteilung der Stadt Wien und
Bundesministerium für Kunst und Kultur.
Thanks to: ttp WUK, WorkSpace Brussels.
The production is based on the research of restudied bodies – wo/man
in the frame of a ImPulsTanz 2009-residency

THE PLACE
17 Duke's Road
London WC1H 9PY
UK
Tel: +44 (0)20 7121 1000
Email: info@theplace.org.uk

http://www.theplace.org.uk
http://www.dorisstelzer.at

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WEDNESDAY 26th of MAY 2010 / 19.30

FESTIVAL ÖSTERREICH TANZT / FESTSPIELHAUS / ST. PÖLTEN / AUSTRIA

VIEWS IN PROCESS by Doris Stelzer - Austrian premiere

How does the perfekt man look like? Images of the female body in
advertising are commonly known – but what about the representation of
the male body? What strategies of staging are applied for men?

In views in process Doris Stelzer is analysing the commercial
exploitation of the male body and the recent trends of representation
in the media in order to transform it into concentrated
movement-statements. Popular clichés and stereotypes are questioned in
regard to the own and the other biological sex and in regard to their
social construction. Reflections on the patterns of perception and a
delicate handling of deviations from the body norm are postulated.

"An evening with little dancing and a lot of movement. “view in
process” changes the viewing habits in two ways: the choreography
allows a sensitive look at the details of our bodies and a new view on
society’s well established body images. Provided that one is willing
to open his eyes."
(www.tanznetz.de, Dezember 2008)

views in process was developed and premiered during the residency at
K3 – Centre for Choreography | Tanzplan Hamburg at Kampnagel Hamburg.
views in process is the pendant to shifted views, premiered at the
ImPulsTanz-festival in 2007.
Concept, Choreography: Doris Stelzer
Performance, Choreography: Josep Caballero Garcia, Ondrej Vidlar
Artistic Collaboration: Lieve De Pourcq
Sound: Mariella Greil, Werner Moebius
Photography: Bettina Frenzel
Coaching: Marcus Droß, Nik Haffner
Production Assistance: Lisa Böttcher

FESTSPIELHAUS ST. PÖLTEN
Kulturbezirk 2, 3100 St. Pölten
T: +43 (0) 2742/90 80 80-222
office@festspielhaus.at

more information:

http://www.festspielhaus.at
http://www.dorisstelzer.at

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WEDNESDAY 21st-24th APRIL 2010 / 9 pm

CLOSEUPLAND / VIENNA /AUSTRIA

(please scroll down for german text)

CLOSEUPLAND questions the relationship between proximity and distance in view of the presence and influence of image-recording media. One reference is Antonioni’s film Blow Up, which examines the construction of reality in film and photography. The media performance CLOSEUPLAND represents a contemporary continuation of these concerns. Performers Andrei Andrianov, Mariella Greil and Anat Stainberg meet each other on an artificial meadow. Their encounter is recorded by an automated camera that moves through the room, creating a narration in the grey area between the experienced and the seen.

„Der Fotograf in Blow up, der kein Philosoph ist, möchte näher an die Dinge rankommen. Aber indem er zu stark vergrößert, löst sich das Objekt selbst auf und verschwindet. Es gibt also einen Augenblick, in dem wir die Wirklichkeit erfassen, und dann verschwindet sie.“ Michelangelo Antonioni
CLOSEUPLAND hinterfragt das Verhältnis von Nähe und Distanz angesichts der Präsenz und des Einflusses von Bildmedien. Eine Referenz ist der Film Blow up von Antonioni, der die Konstruktion von Wirklichkeit im Medium des Films und der Fotografie beleuchtet.
CLOSEUPLAND entwickelt diese Fragen in Form einer Medienperformance aktuell weiter. Die PerformerInnen Andrei Andrianov, Mariella Greil und Anat Stainberg begegnen einander auf einer künstlichen Wiese. Ihre Bewegungen werden von einer automatischen, im Raum fahrenden Kamera aufgezeichnet. Details rücken ins Blickfeld und verändern die Narration. Die „blinden Flecken“ von Performance und Video münden in eine Erzählung im Graubereich von Erlebtem und Gesehenem. http://machacek.klingt.org
Am 23. April findet im Anschluss an die Vorstellung ein Publikumsgespräch mit der Filmtheoretikerin Maya McKechneay statt.

Konzept Jan Machacek Performance Andrei Andrianov, Mariella Greil, Anat Stainberg Live-Musik Martin Siewert Dramaturgische und inhaltliche Beratung Radostina Patulova, Judith Staudinger Software-Programmierung Oliver Stotz Maschinen Chris Janka, Thomas Sandri Lichtdesign Bartek Kubiak Kostüme Christine Sbaschnigg Produktion Ina Ivanceanu

Eine Koproduktion von mediated meetings, brut Wien und plateaux Festival/Mousonturm Frankfurt. Mit Unterstützung der Kulturabteilung der Stadt Wien.
13,-/7,- ermäßigt

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TUESDAY 30th MARCH 2010 / 8pm- midnight

A PRIVATE INVESTIGATOR'S DREAM MACHINE / VIENNA /AUSTRIA

Österreich-Premiere

„A Private Investigator’s Dream Machine“ (PID Machine) untersucht die Beziehung zwischen Selbstwahrnehmung, Beobachtung und Überwachung, somatisch, visuell und durch Soundarchitektur. In einem digital komprimierten und verdichteten Raum entsteht eine Mikro-Choreografie, in der der Körper der Performerin in fremdartigen, amorphen Formen immer wieder neu erschaffen wird.

„PID Machine“ visualisiert prozessierte Körperbilder. Durch deren Verdoppelung und Überlagerung entsteht in der Projektion während der Live-Performance „eine grausame, zugleich aber sinnliche und poetische Monstrosität“ basierend auf der Hypothese des Videos als Raumerweiterung, als Paralleluniversum, in dem fiktionale Körperformen entwickelt und wahrnehmbar gemacht werden können.

Performance: Mariella Greil
Video: Synes Elischka
Sound: Christian Schröder

MAK-Ausstellungshalle, Wieskirchnerstraße 3, Wien 1
Eintritt: € 9,90 inkl. MAK-Guide / € 7,90 / € 5,50 ermäßigt

http://www.mak.at/jetzt/f_jetzt_maknite.htm

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FRIDAY 5th FEBRUARY 2010
1pm-4pm
Free admission

BUILDING:SOUND / LONDON / UNITED KINGDOM

The Building Sound symposium will take place at the Olivier Stalls Foyer, National Theatre, Southbank, London, SE1.

Ella Finer and Fabrizio Manco have each chosen a selection of speakers to come together and describe what sound means to them; to provide an interdisciplinary hearing and sharing of ideas and definitions, leading to an open discussion.

Speakers include Finn Andrews, Ansuman Biswas, Steve Cleary, Marcia Farquhar, Simon Fisher Turner, Mariella Greil and J. Milo Taylor.

http://buildingsound.org

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SATURDAY 20th of JANUARY 2010 / 17:00

LAB NIGHT / JUBILEE THEATRE / ROEHAMPTON UNIVERSITY / LONDON / UNITED KINGDOM

INTIMATE SUN - ten attempts of baring with a post scriptum

Mariella Greil (performance)
in collaboration with:
Werner Moebius (reproducer turntable) and J.Milo Taylor (film projector)

In ten attempts we explore the act of baring.
This re-staging of excerpts from performances is a performative
recollection of the sensation of the bare.
p.s.: I keep breathing, while the celluloid of the film burns...

ROEHAMPTON UNIVERSITY
Roehampton Lane
London
SW15 5PU

http://www.roehampton.ac.uk/about/location/index.asp

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THURSDAY 28th of JANUARY 2010 / 19:00

WÄINÖ AALTONEN MUSEUM OF ART / TURKU / FINLAND

Opening: The Big Picture – Arte’s 50th anniversary exhibition

Sound / Movement / Performance with:

Emily Sweeney /mvmt/ /USA
Mariella Greil /mvmt/ /Austria
Werner Moebius /snd/ /Austria
Bilwa /snd/ /USA

WÄINÖ AALTONEN MUSEUM
2010 Wäinö Aaltosen Museo
Itäinen Rantakatu 38, 20810 Turku
puh. (02) 262 0850
faksi (02) 262 0862
wam@turku.fi
etunimi.sukunimi@turku.fi

http://www.turku.fi/Public/default.aspx?nodeid=10898

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FRIDAY 29th of JANUARY 2010 / 20:00

B GALLERIA / TURKU / FINLAND

perpetual mvmt<>snd - an evening of improvised movement and sound

Emily Sweeney /mvmt/ /USA
Mariella Greil /mvmt/ /Austria
Maria Nurmela /mvmt/ /Finland
Werner Moebius /snd/ /Austria
Kimmo Modig /snd/ /Finland
Bilwa /snd/ USA

B GALLERIA
Aninkaistenkatu 5 L 5
Turku/Finland
3 €

www.bgalleria.net
www.perpetualmvmtsnd.org
www.mariellagreil.net

.....................................................................................................................

This Finland residency is made possible by Sumu Artist in Residence
Program & B Galleria with kind support of the Austrian Embassy
Helsinki

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SATURDAY 06th of FEBRUARY 2010 / 22:00

SOMETHING RAW / THEATER FRASCATI / AMSTERDAM

Gender Jungle – wo/man -- Doris Stelzer (AT)

When is a body female? Is there a male movement? In her finely
chiselled choreographic investigation Doris Stelzer explores the field
of body presentation and body staging. She tracks down the supposedly
female and male in the play with body poses and changing movement. The
choreographer precisely analyses the media and physical (body)
metamorphoses and in the process not only expose projection areas,
patterns of perception and body politics, but in her search for an
"unoccupied" body also offers a humorous view of our own preferences
and aversions.

Concept, choreography: Doris Stelzer
Performance, choreography: Lieve De Pourcq, Ondrej Vidlár, Gabriel Schenker
Sound concept, Live-electronics: Mariella Greil, Werner Moebius
Theoretical input: Astrid Peterle
Production contributors: Stefanie Fischer, Nora Dorogan
Media: SKYunlimited
Production: dis.danse.
Co-production: Jardin d`Europe mit Unterstützung der Europäischen
Kommission – GD Bildung und Kultur.
With the support of: Kulturabteilung der Stadt Wien und
Bundesministerium für Kunst und Kultur.
Thanks to: ttp WUK, WorkSpace Brussels.
The production is based on the research of restudied bodies – wo/man
in the frame of a ImPulsTanz 2009-residency

THEATRE FRASCATI
Nes 63
1012 KD Amsterdam
the Netherlands
00 31 (0) 20 7516400 (tel)
00 31 (0) 20 383349 (fax)

www.theaterfrascati.nl
http://www.dorisstelzer.at

.....................................................................................................................

14th & 16th of JANUARY 2010

20.30 TQW / Studios

PERFORMANCE/PREMIÈRE
gender jungle - wo/man

Concept, choreography: Doris Stelzer Performance
Choreography: Lieve De Pourcq, Ondrej Vidlár, Gabriel Schenker
Sound concept, Live-electronics: Mariella Greil, Werner Möbius
Light design: Tom Barcal
Theoretical input: Astrid Peterle
Production contributors: Stefanie Fischer, Nora Dorogan
Media: SKYunlimited

When is a body female? Is there a male movement? In her finely chiselled choreographic investigation Doris Stelzer explores the field of body presentation and body staging. She tracks down the supposedly female and male in the play with body poses and changing movement. The choreographer precisely analyses the media and physical (body) metamorphoses and in the process not only expose projection areas, patterns of perception and body politics, but in her search for an "unoccupied" body also offers a humorous view of our own preferences and aversions.

Production: dis.danse. Co-production: Jardin d`Europe mit Unterstützung der Europäischen Kommission – GD Bildung und Kultur. With the support of: Kulturabteilung der Stadt Wien und Bundesministerium für Kunst und Kultur. Thanks to: ttp WUK, WorkSpace Brussels. The production is based on the research of restudied bodies – wo/man in the frame of a ImPulsTanz 2009-residency

http://tqw.at/de/node/3&date=14.1.2010

.....................................................................................................................

THURSDAY 6th of JANUARY 2010 / 20:00

RESOLUTION ! / THE PLACE / LONDON / UK

Augusto Corrieri Dance Company
This joyful choreography of warm-ups, dance exercises and theatre games invites us to reflect on our fascination with watching other people move their bodies under the lights of a theatre (E).

Venue: Robin Howard Dance Theatre
Price: £5 - £15

http://www.augustocorrieri.com

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THURSDAY 10th of DECEMBER 2009 / 22:00

FRIDAY 11th of DECEMBER 2009 / 18:00

WORKING TITLE FESTIVAL #3 / BRIGITTINES / BRUSSELS / BELGIUM

Gender Jungle – wo/man -- Doris Stelzer (AT)
preview performance / Jardin d'Europe selection

When does our view identify a movement, an attitude or a body as typically male or female? This question is asked by Doris Stelzer in her new performance Gender Jungle – wo/man, in which the staging and reality (?) of femininity is juxtaposed with masculinity. In the cocktail of gender-stereotypes, the female cliché meets the male body and vice versa. After shaking, stirring and mixing to deconstruct stereotypical behaviour Gender Jungle attempts to answer the question: what is common, what is in between – or – what is left apart from the normative binary conception of gender? Is there such a thing as an 'unoccupied' body?

concept & choreography: Doris Stelzer
performance & choreography: Lieve De Pourcq, Ondřej Vidlář & Gabriel Schenker
soundconcept & live electronics: Mariella Greil & Werner Möbius
theoretical input: Astrid Peterle
production management: Stefanie Fischer & Nora Dorogan
public relations: SKYunlimited
thanks to: ttp WUK Vienna
supported by: Cultural Section of the City of Vienna, the Art Section of the Federal Chancellery of Austria & ImPulsTanz Residency Vienna
production: dis.danse Vienna
co-production: Jardin d´Europe (with the support of the Culture Programme of the European Union)

3 € (reservations are advised)

http://www.workspacebrussels.net/workspace.php?cwPage=browse%2Fprojectpage&cwProject=60&cwContent=158

http://www.dorisstelzer.at
.....................................................................................................................

SATURDAY 28th of NOVEMBER 2009 / 19:30

INCOUNTER / CAMPBELL WORKS / LONDON / UNITED KINGDOM

PERFORMANCE BY GUAPO ESMERALDA IN THE FRAME OF INCOUNTER

SOUND - VIDEO - TEXT

A night of live sonic art, performance and video at Campbell Works. Edgy instrumental improvisation, live electronic mixing, found-sound clashes and spoken word performance are interspersed with videos about language, communication and the construction of narrative within moving image.

Live performances:
Anne Bean, Richard Wilson and Susie Honeyman
Melanie Clifford & Melissa Castagnetto
Stephen Cornford
Guapo Esmeralda
Holly Pester
Tone Poem

Videos:
Noah Angell
Steven Ball
Ellakajsa Nordstrom
Laure Prouvost
Stefan Riebel
Paul Rooney
Erica Scourti
Lisa Stansbie
Neil Taylor

Wall text:
Emily Candela

Admission £3
Doors open 7.30pm
Performances begin 8pm

Campbell Works
27 Belfast Road
London N16 6UN
t: 020 8806 0817
e: info@campbellworks.org

www.campbellworks.org
.....................................................................................................................

THURSDAY 29th of OCTOBER 2009 / 19:00

SEE THIS SOUND / LENTOS ART MUSEUM / LINZ / AUSTRIA

SEE THIS SOUND, HEAR THIS MOVEMENT?

Performance in the frame of the exhibiton SEE THIS SOUND

Doris Stelzer´s interests are the body as an archive and its skills
and abilities in physical and anatomical aspects. Actual media staging
of bodies and construction of stereotypes are questioned by detailled
and fragile performance statements. In her work, images, movement and
sound are floating together and apart. Performative segments of
Stelzer’s works will be separated from their usual stage-setting and
are newly situated in the exhibition space of the Lentos museum.

Concept, Choreography_ Doris Stelzer (A)
Performance, Choreography_ Lieve De Pourcq (BE/A)
Live electronics_ Werner Moebius (A/UK)
Sound concept_ Mariella Greil (A/UK), Werner Moebius (A/UK)
Production_ dis.danse, Stefanie Fischer
Thanks to_ ttp WUK
Support_ Cultural Section of the City of Vienna, the Art Section of
the Federal Chancellery of Austria

LENTOS KUNSTMUSEUM LINZ
Ernst-Koref-Promenade 1
4020 Linz
Tel.: +43 732 7070 3600 bzw. 3614
info@lentos.at

www.lentos.at

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TUESDAY 27th of OCTOBER 2009 / 20:00

MAK NITE© - CAT - CONTEMPORARY ART TOWER OPEN 2009 / GEFECHTSTURM
ARENBERGPARK / VIENNA

BODIES RESITUATED

bodies resituated experiments with the intersection of architecture
and moving bodies. The rough and huge exhibition space on the 8th
floor of the Gefechtsturm in the MAK-Gegenwartskunstdepot contrasts
with the detailed and fragile performances of Doris Stelzer. In
collaboration with the performers Lieve De Pourcq, Gabriel Schenker
and the sound artist Werner Moebius, performative segments of
Stelzer’s works will be separated from their usual stage-setting and
are newly situated in the exhibition space. Thus moving sculptural
images evoke new perspectives and interpretations.

Doris Stelzer’s work (choreographer and biotechnologist) focuses on
the representation of bodies and their appearance in different media.
Stereotypes and attributed roles are analyzed, questioned and
transformed into movement-statements. For the MAK NITE these movements
will be de- and re-contextualised in a new setting.

bodies resituated is based on the dance-performances shifted views and
views in process that deal with male and female clichés. shifted
views, the performance with the blue shoe, was premiered at the
ImPulsTanz-festival in 2007. views in process was developed and
performed during a residency at K3 – Zentrum für Choreographie /
Tanzplan Hamburg at Kampnagel Hamburg in 2008.

Concept, Choreography_ Doris Stelzer (A)
Performance, Choreography_ Lieve De Pourcq (BE/A), Gabriel Schenker (BR/BE)
Live electronics_ Werner Moebius (A/UK)
Soundconcept, Live electronics_Mariella Greil (A/UK), Werner Moebius (A/UK)
Light_ Andrea Korosec (A)
Production_ dis.danse
Production Management_ Stefanie Fischer
PR_ SKYunlimited
Thanks t _WUK
Support_ Cultural Section of the City of Vienna, the Art Section of
the Federal Chancellery of Austria

MAK-GEGENWARTSKUNSTDEPOT,
Gefechtsturm Arenbergpark
Dannebergplatz / Barmherzigengasse
A-1030 Wien

CAT Contemporary Art Tower, www.cat.mak.at
MAK Tel. (+43-1) 711 36- 0, E-Mail: office@MAK.at, www.MAK.at
€ 5,50

contact@dorisstelzer.at, +43 699 19112630

www.dorisstelzer.at
www.cat.mak.at
www.MAK.at

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WEDNESDAY, 21. Oktober 2009 / 7:00 pm
Group Esmeralda 5 hosted by London Sound Artists Working Group

The George
Lower Clapton, 171 Glyn Road, E5
London, United Kingdom

http://www.facebook.com/event.php?eid=169267688496&ref=mf
.....................................................................................................................

THURSDAY, 15th OCTOBER 2009 / 7:30pm

at Casa de Cultura of Girona (Spain) and at 8’30h at Bòlit- La Rambla

VAD - VIDEO AND DIGITALS ARTS INTERNATIONAL FESTIVAL

PRIVATE INVESTIGATORS DREAM MACHINE

Mariella Greil: performance
Synes Elischka: video
Christian Schroeder: sound

PRIVATE INVESTIGATORS DREAM MACHINE deals with the interleave of media, dance/performance and film/new media by means of a performative work.station. The work imagines an (im)possible future of a body that multiplies, modifies and transgresses itself; a micro-choreography evolves of a body without organs, morphing and doubling. A cruel, sensous and strangely poetic monstrosity made through relentless distortion with the help of the mirrormachine. PID machine imagines the grim perversion of processed body images and pseudo-organic symmetry in fluid, fleshy and futile creatures.

You will find all the information to visit the festival at the website www.vadfestival.net

.....................................................................................................................

MONDAY, 5 th OCTOBER 2009 / 7:30 pm

EUROPEAN RHYTHMICS CONGRESS / VIENNA / AUSTRIA

ENTWEDER ODER ODER UND

Mariella Greil: dance (Austria/UK)
Emily Sweeney: dance (US)
Werner Moebius: computer, electronics (Austria/UK)
Audrey Chen: cello, voice, electronics (US/China)

THEATER AKZENT
Theresianumgasse 18
1040 Wien
Telefon: 01/501 65-3306
Fax: 01/501 65-3399

http://www.rhythmikkongress.at/
http://www.akzent.at/
http://www.mariellagreil.net/
http://www.perpetualmvmtsnd.org/

.....................................................................................................................

SUNDAY 13th - SATURDAY 26th SEPTEMBER 2009

FLUTEN / WASSERTURM FAVORITEN / VIENNA

WORK:SPACE for artists working in various media

At the center of attention is what Brian Massumi called creative
contagion, a synopsis of various media meeting the architecture of
the watertower.

Through exchange of experimental approaches, we diffuse an open system
that tests affirmative-critical work modalities. WORK:SPACE is
formatted somewhere between lab and performative exhibition.

ARTISTS

Perrine Bailleux
Bilwa
[ dy'na:mo ]
Synes Elischka
Nikolaus Gansterer
Dominik Greil
Mariella Greil
Maike Haeusling
Georg Hobmeier
Sabina Holzer
Martin Lanz
Werner Moebius
Jörg Piringer
Bernadette Reiter
Armin Steiner
Emily Sweeney

WASSERTURM FAVORITEN
Windtenstraße 3
1100 Wien

Information & Details about dates, performances, updates, etc:

http://www.fluten.tk

.....................................................................................................................

MONDAY 14th SEPTEMBER 2009 / 20:30

INCUBATE FESTIVAL / De NWE Vorst / TILBURG / NETHERLANDS

VIEWS IN PROCESS by Doris Stelzer

‘Views in Process’ takes a look behind the superficiality of clichés
and stereotypes in the media’s presentation of the body. Doris Stelzer
has a fascination for movement and how we think about ourselves and
others. In ‘Views in Process’ this is combined in a show that does
embody a lot of movement that you do not necessarily have to call
dancing. In this way, she uses the body to critique social-political
views on body images.

After Talk: Sonja Augart

Concept, Choreography: Doris Stelzer
Performance, Choreography: Josep Caballero Garcia, Ondrej Vidlar
Artistic Collaboration: Lieve De Pourcq
Sound: Mariella Greil, Werner Moebius
Photography: Bettina Frenzel
Coaching: Marcus Droß, Nik Haffner
Production Assistance: Lisa Böttcher

De NWE Vorst
Willem II straat 49, 5038 BD, Tilburg
T|013 5328520
M|info@denwevorst.nl
W|http://www.denwevorst.nl

more information at:

http://incubate.org/2009/
http://www.dorisstelzer.at

.....................................................................................................................

21-23 January 2009

De Montfort University
Leicester

http://www.futureofsound.org/event02.htm

www.mti.dmu.ac.uk

Presented by Martyn Ware
Wednesday 21

Concert
PACE Studio 1
7.00 – 9.30
Steve Symons (Owl Project) with Lewis Sykes (The Sancho Plan)
Ryan Jordan and Mike Blow (Cybersonica AV Lab)
Jules Rawlinson (Pixelmechanics)
Bathysphere

Thursday 22

Workshops
PACE Studio 1
(time tbc)
Steve Symons and Simon Blackmore (Owl Project)
Ryan Jordan and Mike Blow (Cybersonica AV Lab)
Jules Rawlinson (Pixelmechanics)

Friday 23

Keynote address
Clephan Building
1.00 – 2.00
Chris Watson

Seminar
PACE Studio 1
3.00 – 5.00
Martyn Ware, Host
Paul Deveraux
Tilly Automatic
Squidsoup
Andreas Raptopoulos (FutureAcoustic) (tbc)
The Sancho Plan(tbc)

Concert
PACE Studio 1
7.00 – 10.00
Marytn Ware, Host
Chris Watson
The Sancho Plan (tbc)
Tilly Automatic
Squidsoup & Mariella Greil
Paul Deveraux
Andreas Raptopoulos (FutureAcoustic) (tbc)

.....................................................................................................................

SATURDAY / 15th of NOVEMBER 2008 / 7.30pm

MOVES @ 22nd LEEDS FILM FESTIVAL / LEEDS / UK

Screening of "PAN Y CEBOLLAS"

A cannibalistic fantasy of two women as an extrem form of
territorialisation of the relationship where the victim becomes an
object of desire. Pan y Cebollas involves themes of death, food,
sacrifice, aggression, love, and destruction or transformation.

A videodance choreographed by Mariella Greil and Montserrat Payro

performed by

Tim Darbyshire
Mariella Greil
Montserrat Payro

directed by
Ramona Poenaru

camera by
Pavlos Kountouriotis
Ramona Poenaru

soundtrack by
Werner Moebius

Thanks to Simone Aughterlony, Francoise Feraud, Pavlos Kountouriotis,
Christoph Leuenberger, Jean-Baptiste Veyret-Logerias for their help
and assistance

Special thanks to
Sweet & Tender Collaborations, Jean-Marc Adolphe & SKITE, Jan Ritsema
& PAF (Performing Arts Forum)

supported by
Sweet & Tender Collaborations

YORKSHIRE DANCE
St Peter's Square
Leeds, LS9 8AH
Price: £4.50/£3.50
or get a Short Film City pass for only £25

http://www.leedsfilm.com
http://www.movementonscreen.org.uk
http://www.sweetandtender.org

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THURSDAY / 27th of NOVEMBER 2008 / 7:30 pm

Conejoblanco y la Embajada de Austria invitan a la lectura:

AUSTRIA ENTRE LINEAS / CONEJOBLANCO / MEXICO CITY

Texts by Ödön von Horváth

Lectura: Francesca Guillen, Herwig Weber

Sound: Werner Moebius

Performance: Mariella Greil

CONEJOBLANCO
galería de libros
Amsterdam 67
entre Parras y Sonora/ Hipódromo Condesa
06170/ México D.F./
T. 52.86.74.30 y 52.56.06.02
Entrada libre

more information at:

http://www.conejoblanco.com.mx

supported by Foro Cultural de Austria en México

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WEDNESDAY / FRIDAY / SATURDAY 3rd, 5th & 6th of DECEMBER 2008 / 8.30pm

KAMPNAGEL / K3 – CENTRE FOR CHOREOGRAPHY / HAMBURG / GERMANY

VIEWS IN PROCESS by Doris Stelzer

In „views in process" Doris Stelzer analyses the commercial
exploitation of the body and the recent trends of representation of
the body in the media. Popular clichés and stereotypes are questioned
in regard to the own and the other biological sex and in regard to
their social construction. Reflections on the patterns of perception
and a delicate handling of deviations from the body norm are
postulated. „views in process" is, after „shifted views – extended",
the third part of a research series on the subject of contemporary
representation of the body and current socio-political body images.

"views in process" is developed within the residency of K3 – Centre
for Choreography | Hamburg Dance Program at Kampnagl. The first
research phase with Lieve De Pourcq took place in June 2008. Premiere
Wed 3rd December 2008, 8.30 pm
Production K3 – Centre for Choreography | Tanzplan Hamburg at
Kampnagel and dis.danse

Concept, Choreography: Doris Stelzer
Performance, Choreography: Josep Caballero Garcia, Ondrej Vidlar
Artistic Collaboration: Lieve De Pourcq
Sound: Mariella Greil, Werner Moebius
Photography: Bettina Frenzel
Coaching: Marcus Droß, Nik Haffner
Production Assistance: Lisa Böttcher

KAMPNAGEL
K3 – Centre for Choreography | Tanzplan Hamburg
Jarrestr. 20
D - 22303 Hamburg
Germany
Tickets and Information: 040/27 09 49 – 49
tickets@kampnagel.de

more information at:

http://www.k3-hamburg.de
http://www.dorisstelzer.at

Supported by Hamburg Cultural Foundation, Law firm
Friedrich/Korch/Hanefeld and Siemens Arts Program within the the
framework of the project "Bewegungsmelder". The Austrian Federal
Ministry for Education, the Arts and Culture has granted a foreign
scholarship for dance for Doris Stelzer's residence in Hamburg.

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